RM2B01T5J–Japan: Akazome Emon (956-1041), Heian court poet. Ukiyo-e Woodblock print by Komatsuken Kiyomitsu (fl. 18th century), 1765. Akazome Emon was a Japanese waka poet and early historian who lived in the mid-Heian period. She is a member both of the Thirty Six Elder Poetic Sages (Chūko Sanjūrokkasen) and the Thirty Six Female Poetic Sages (Nyōbō Sanjūrokkasen).
RMDE0HH0–From the series Hundred Poems by One Hundred Poets: Akazome Emon, c1830. Artist: Hokusai
RF2HW3JNK–Art inspired by 百人一首 うはかゑとき 赤染衛門, Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Taishō period (1912–26), 1921, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 3/8 in. (24.4 x 36.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPEJYEM–I Wish I Had Gone to Bed Immediately, Yoshitoshi, Tsukioka
RMKC6J0P–百人一首 うはかゑとき 赤染衛門, Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki
RMJ7T3XW–Akazome Emon 1811
RM2A2W8EF–Lady and Attendant under Cherry Tree, Ryujo Yamazaki (Japanese), Edo, 1700-1730, ink and color on silk, 31 x 11 in. (image) 62 x 15-1/4 in. (overall), Signed: Joryu hitsu Seal: illegible Seal: illegible Inscribed: Poem by Akazome Emon (l. 10- e. 11c), Asian Art
RM2J3N7MP–Poem by Lady Akazome Emon Poem by Sosei Hoshi, from the series "One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)”, Japan, 1921.
RMMMNP2B–Kyodō risshi no motoi, Akazome Emon
RMHKM6YP–Akazome Emon
RM2DHGPNK–Kyodō risshi no motoi, Akazome Emon.
RMRYKCG5–Poem by Lady Akazome Emon Poem by Sosei Hoshi, from the series 'One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1921. Dimensions: . Color woodblock print. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.
RM2TBBPHW–Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 1962 by Katsushika Hokusai
RM2AHR1HE–Katsushika Hokusai. Poem by Lady Akazome Emon Poem by Sosei Hoshi, from the series “One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)”. 1921. Japan. Color woodblock print
RM2JWHFED–Yaoya Hanbei running down the street; poem by Akazome Emon; print 59 from the series: Ogura nazorae hyakunin isshu (Imitations of one hundred poems by one hundred poets). Utagawa, Kuniyoshi (1798-1861), graphic artist
RMMKM9BA–I Wish I Had Gone to Bed Immediately
RM2WEN5CY–Later Emon, 1847 - 1850 print Yaoya Hanbei running between department stores, on his way to his wife. Scene from a kabukitis piece. Poem by Murasaki Shikibu.Picht by Akazome Emon. paper color woodcut running. shop, store. street
RF2X1DFAJ–Tsukioka Yoshitoshi (1839 bis 9. Juni 1892) einer der letzten großen Meister des klassischen japanischen Farbholzschnitt, hier das Werk I Wish I Had Gone to Bed Immediately
RM2HH6J7N–Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 1921 Katsushika Hokusai Japanese. Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 55609
RM2B01T5F–Japan: Lady Izumi Shikibu (c. 973-1025), poet and novelist. Ukiyo-e Woodblock print by Komatsuken Kiyomitsu (fl. 18th century), 1765. Izumi Shikibu (976-) was a mid Heian period Japanese poet. She is a member of the Thirty-six Medieval Poetry Immortals (chūko sanjurokkasen). She was the contemporary of Murasaki Shikibu, and Akazome Emon at the court of Joto Mon'in. She 'is considered by many to have been the greatest woman poet of the Heian period'. Her legacy includes 242 poems and two kashu.
RM2WPC1EX–Yaoya Hanbei with a poem Akazome Emon, No. 59 from the series 'Imacja of the collection from Ogura - one poem from a hundred poets' (Ogura Nazorae Hyakunin Isshu)Dembiński, Stanisław (1891-1940)-collection, decorative boards according to the anthology of a hundred poets, cycle, gift (provenance), woodcuts, Japanese (culture), Japanese art, ukiyo-e
RM2B02NJ4–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2G40FM2–Ogura imitation of the one hundred poems. Yaoya Hanbei running between department stores, on the way to his wife. Isami Tomokichirô in battle with Rokuya Ongundayû, who has just thrown a knife in the sword of Tomokichirô. Scene from a Kabukite team. Poem by Murasaki Shikibu.Michticht by Akazome Emon.
RF2B95MM7–Lady and Attendant under Cherry Tree, Ryujo Yamazaki (Japanese), Edo, 1700-1730, ink and color on silk, 31 x 11 in. (image) 62 x 15-1/4 in. (overall), Signed: Joryu hitsu Seal: illegible Seal: illegible Inscribed: Poem by Akazome Emon (l. 10- e. 11c), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMKJXDN8–Akazome Emon
RM2JDYMDN–Ogura Imitation of the One Hundred Poems (series title), Yaoya Hanbei running between department stores, on his way to his wife. Scene from a kabuki play. Poem by Murasaki Shikibu.Poem by Akazome Emon., print maker: Utagawa Kuniyoshi, (mentioned on object), Matsushima Fusajirô, (mentioned on object), publisher: Ibaya Senzaburô, (mentioned on object), Japan, 1847 - 1850, paper, color woodcut
RM2E2JD4M–Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), 1921.
RMMMNMPF–. ��ެ� ������������ English: Akazome Emon, 11th century Japanese poet Akazome Emon
RM2AFY09C–. Japanische Stichblätter und Schwertzieraten : Sammlung Georg Oeder, Düsseldorf : [Katalog]. 1215 1204 KOZUKA aus Silber, beiderseitig gra- viert. Fuchs, als Frau verkleidet,Fuchsfalle und Strohbündel. Bez.:Söyo (II) und Kakihan wie 1197. 1205 FUCHIKASHIRA aus Shibuichi, gra- viert. Auf dem Kopfstück Shishi, aufder Zwinge Shishi und Paeonie. Bez.:Söyo (II) und Kakihan wie 1197. 1206 KOZUKA aus Shibuichi mit einem Uta der Akazome Emon ^-^11 { ^ J> ^ yfß ^j! 4 ^ If und Erläuterung dazuin flachen Einlagen von Gold und einerbeschneiten Hecke und Tempeldach inGravierung. Bez.: Mitsusada ^ ßl un
RMPCB77P–Akazome Emon 1811.
RM2X1DFRG–Tsukioka Yoshitoshi 1839 bis 9. Juni 1892 einer der letzten großen Meister des klassischen japanischen Farbholzschnitt, hier das Werk I Wish I Had Gone to Bed Immediately
RM2B6A4MK–Akazome Emon (title object) Comparisons with the Ogura hundred poems (series title) Ogura nazorae Hyakunin Isshu (series title object) Yaoya Hanbei running between department stores, towards his wife. Isami Tomokichirô fighting with Rokuya Ongundayû that just a knife in the heavily: has thrown d Tomokichirô. Scene of a kabuki play. Poem by Murasaki Shikibu.Gedicht by Akazome Emon. Manufacturer : printmaker: Utagawa Kuniyoshi (listed property) block cutter: Matsushima Fusajiro (listed building) publisher: Ibaya Senzaburô (listed property) Place manufacture: Japan Date: 1847 - 1850 Physical char
RM2B02NJB–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RMJW35YJ–Akazome Emon 1811
RM2JE3G8C–Ogura Imitation of the One Hundred Poems (series title), Yaoya Hanbei running between department stores, on his way to his wife. Scene from a kabuki play. Poem by Murasaki Shikibu.Poem by Akazome Emon., print maker: Utagawa Kuniyoshi, (mentioned on object), Matsushima Fusajirô, (mentioned on object), publisher: Ibaya Senzaburô, (mentioned on object), Japan, 1847 - 1850, paper, color woodcut
RMMMNMNK–. ??ѵ??ެ?: ??????????Ѧ?ࡵ???+??????????????????? English: Akazome Emon, Heian era writer and lady-in-waiting, depicted here in a 19th Woodblock print (nishiki-e) print; ink and color on paper. Akazome Emon 1811
RM2WE07TA–Akazome Emon 赤染衛門 女房三十六歌仙 Thirty-Six Immortal Women Poets.
RM2B02NJ1–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RMP6FC55–???: ????????????? English: Akazome Emon, Heian era writer and lady-in-waiting, depicted here in a 19th Woodblock print (nishiki-e) print; ink and color on paper. ???: ??8??? Published in 1811 1 Akazome Emon 1811
RM2B02NJ8–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RMMNXR5X–. English: Akazome Emon viewing the moon from her palace chambers . before 1892. Yoshitoshi (1839–1892) Alternative names Taiso Yoshitoshi Description Japanese painter and illustrator Date of birth/death 30 April 1839 9 June 1892 Location of birth/death Edo Ryōgoku Work period Ukiyo-e Work location Edo, Tokyo Authority control : Q467337 VIAF: 59096037 ISNI: 0000 0000 8385 874X ULAN: 500121372 LCCN: n81029697 NLA: 49286334 WorldCat 1278 Yoshitoshi - 100 Aspects of the Moon - 44
RM2B02NHT–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2B02NJ5–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2B02NJ0–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2B02NJ2–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2B02NJ9–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
RM2B02NJ6–A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074). She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends. At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poeti
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